Great New Mp3 Downloads from HipHop Independent Artists Get Extra Entertainment (G.E.E Muzik) presents Jack Rabbit See Me On The Blade Volume # 1. a compilation of memphis street hip hop rap artist.ORIGINAL CRUNK MUSIC FROM THE DIRTY SOUTH G
Monday, November 17, 2008
Friday, June 20, 2008
New Crunk HipHop Rap Music
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Wednesday, March 12, 2008
The world comes to Austin for indie music fest
The world comes to Austin for indie music fest: "The world comes to Austin for indie music fest
Stuart Derdeyn
Canwest News Service; Vancouver Province
Wednesday, March 12, 2008"
AUSTIN, Texas - Imagine that you are the booking agent for the biggest band bash in North America. Better still, there are no limits on who you can invite to appear; this is a party everyone wants a piece of. Pretty cool, huh?
Brent Grulke knows what it feels like firsthand.
As the creative director for the 22-year-old South By Southwest Music Conference in Austin, he's head of the team that brings the bands the whole world wants to see to a city in central Texas. From this year's chat with NYC's legendary poet-grumpiate Lou Reed to electric moments such as when the Kinks' Ray Davies joined Vancouver's then-unknown New Pornographers onstage at an afternoon barbecue, Grulke's been there.
All right, he's been in town. The truth is, the poor guy barely sees any music at all during the five-day festival. He's too busy.
"It's one of the real downsides of this job,'' says Grulke. "But one of the benefits of living in Austin is that you get to see amazing music all year long anyways.''
"It was the live music scene here that spawned the whole concept of South By Southwest, after all.''
Indeed, it was. There is a reason that the arrival lounge of the city airport declares "Welcome to the Live Music Capital of the World'' and it isn't just Texas-sized overstatement. OK, maybe a little. But megacities such as New York, London and Tokyo would be hard-pressed to come up with as many live music venues devoted - to a level of near-religious fervour - to the support and development of original independent music year round.
"This festival really serves as a beacon of what is happening in the music business at the moment and it is the live side of things. We've always been focused that way so, even while the traditional retail model and marketing structures are in major transition, we've seen an ever-increasing number and variety of talent applying to appear at the festival.''
There were 47 countries represented at the 2007 music festival. This year will expand beyond that. Besides the ever-present U.K., U.S. and Canadian contingents, the single largest South American entourage appears at the 2008 event. Brazil is the dominant force in this group.
It makes sense for Austin to be the entry point for Latin musicians into the North American market, says Grulke: "You can't separate Austin from its Latin or Spanish/Mexican roots. It's present everywhere in the city and no one who lives here isn't regularly blessed by it. It's a part of the musical roots of the city's whole sound.''
A sound that is world-famous for its rough and ready mix of "outlaw'' country, Mexican conjunto, mariachi and blues, Austin now also reflects contemporary global urban music trends such as multi-lingual hip hop, DJ culture, Latin rock and more. South By Southwest received criticism over the years for being slow to jump on these genres. Not so this year, where emerging trends ranging from Parisian thrash-tronica, dubstep, world breakbeat fusions and lots of gritty MCs are on the bill.
"What can I say, we've got longtime, dedicated staff on the team with specializations in these genres now so they are represented like never before. There never was any dislike, we just want to showcase the best.''
Over the course of the next week, the "best'' will be pounding out of amplifiers all over clubs in the famous Sixth Street zone.
SOUTH BY SOUTHWEST MUSIC. FILM. INTERACTIVE -- THE BREAKDOWN
Where: Austin, Texas
When: March 7-16
Why: This annual industry conference and festival in the capital of the Lone Star state is the "go to'' event for the live music industry in North and South America. Increasingly, it also registers in both the film and interactive communities annual "gotta go'' events. Particularly if you happen to be in the entertainment media, as attendance figures reveal.
(sxsw.com)
Showcasing musical acts: 1,580
Participating venues: 70 official (many more unofficial)
Music Conference participants: 11,750 (with band registration 13,071)
Music Trade Show attendees: 15,000
Music media attending: 2,592
Number of nations represented: 47
SXSW ECONOMIC IMPACT ON AUSTIN:
Music conference: U.S. $26.7 million
Film/Interactive conference: $16.8 million
Participants average daily spending: $264/day
The world comes to Austin for indie music fest
The world comes to Austin for indie music fest: "The world comes to Austin for indie music fest
Stuart Derdeyn
Canwest News Service; Vancouver Province
Wednesday, March 12, 2008"
AUSTIN, Texas - Imagine that you are the booking agent for the biggest band bash in North America. Better still, there are no limits on who you can invite to appear; this is a party everyone wants a piece of. Pretty cool, huh?
Brent Grulke knows what it feels like firsthand.
As the creative director for the 22-year-old South By Southwest Music Conference in Austin, he's head of the team that brings the bands the whole world wants to see to a city in central Texas. From this year's chat with NYC's legendary poet-grumpiate Lou Reed to electric moments such as when the Kinks' Ray Davies joined Vancouver's then-unknown New Pornographers onstage at an afternoon barbecue, Grulke's been there.
All right, he's been in town. The truth is, the poor guy barely sees any music at all during the five-day festival. He's too busy.
"It's one of the real downsides of this job,'' says Grulke. "But one of the benefits of living in Austin is that you get to see amazing music all year long anyways.''
"It was the live music scene here that spawned the whole concept of South By Southwest, after all.''
Indeed, it was. There is a reason that the arrival lounge of the city airport declares "Welcome to the Live Music Capital of the World'' and it isn't just Texas-sized overstatement. OK, maybe a little. But megacities such as New York, London and Tokyo would be hard-pressed to come up with as many live music venues devoted - to a level of near-religious fervour - to the support and development of original independent music year round.
"This festival really serves as a beacon of what is happening in the music business at the moment and it is the live side of things. We've always been focused that way so, even while the traditional retail model and marketing structures are in major transition, we've seen an ever-increasing number and variety of talent applying to appear at the festival.''
There were 47 countries represented at the 2007 music festival. This year will expand beyond that. Besides the ever-present U.K., U.S. and Canadian contingents, the single largest South American entourage appears at the 2008 event. Brazil is the dominant force in this group.
It makes sense for Austin to be the entry point for Latin musicians into the North American market, says Grulke: "You can't separate Austin from its Latin or Spanish/Mexican roots. It's present everywhere in the city and no one who lives here isn't regularly blessed by it. It's a part of the musical roots of the city's whole sound.''
A sound that is world-famous for its rough and ready mix of "outlaw'' country, Mexican conjunto, mariachi and blues, Austin now also reflects contemporary global urban music trends such as multi-lingual hip hop, DJ culture, Latin rock and more. South By Southwest received criticism over the years for being slow to jump on these genres. Not so this year, where emerging trends ranging from Parisian thrash-tronica, dubstep, world breakbeat fusions and lots of gritty MCs are on the bill.
"What can I say, we've got longtime, dedicated staff on the team with specializations in these genres now so they are represented like never before. There never was any dislike, we just want to showcase the best.''
Over the course of the next week, the "best'' will be pounding out of amplifiers all over clubs in the famous Sixth Street zone.
SOUTH BY SOUTHWEST MUSIC. FILM. INTERACTIVE -- THE BREAKDOWN
Where: Austin, Texas
When: March 7-16
Why: This annual industry conference and festival in the capital of the Lone Star state is the "go to'' event for the live music industry in North and South America. Increasingly, it also registers in both the film and interactive communities annual "gotta go'' events. Particularly if you happen to be in the entertainment media, as attendance figures reveal.
(sxsw.com)
Showcasing musical acts: 1,580
Participating venues: 70 official (many more unofficial)
Music Conference participants: 11,750 (with band registration 13,071)
Music Trade Show attendees: 15,000
Music media attending: 2,592
Number of nations represented: 47
SXSW ECONOMIC IMPACT ON AUSTIN:
Music conference: U.S. $26.7 million
Film/Interactive conference: $16.8 million
Participants average daily spending: $264/day
Saturday, March 8, 2008
cool new mp3 downloads - Google Search
cool new mp3 downloads - Google Search: "Download.com Music is your source for legal and free MP3 downloads. ... and no DRM, just download and go. (Facebook users: check out our cool new app, too.) ..."
Monday, February 25, 2008
CD Maintenance How to make sure you CD stays in good shape « Online music news and reviews
CD Maintenance How to make sure you CD stays in good shape « Online music news and reviews: "They may sound straight forward but you?ll be surprised how many times CDs & DVDs are not protected properly. Following these simple steps will ensure you can use your CD’s and DVD’s for dvd copying and cd copying for years to come.
Keep your CDs in there Jewel Cases. If not there are PVC wallets which act as ample protection or Card Wallets. For you DVDs you must keep them in their DVD boxes or, as previously mentioned, PVC Wallets and Card wallets will do
read more
http://www.music4yourear.com/articles.asp?a=84584580
Choosing a Great Recording Studio is Vital on Your Rise to Music Success « Online music news and reviews
Choosing a Great Recording Studio is Vital on Your Rise to Music Success « Online music news and reviews: "A sound recording is, well, a record of the interpretation of the music. It is always a good idea to bring a producer to avoid problems during your session. Artists be aware that without a good producer, you could spend more of your time, money, energy and frustration during the recording process than necessary. Come on now, do you really want to use your recording session to waste money, or would you rather become a star?
Getting a quality recording is essential. You want to make sure that the facility you use is professional, cares about your work, has great engineers to work with, and are capable of producing a great sound. If you can not find this information about a studio, you might want to keep looking.
Read More….
http://www.music4yourear.com/articles.asp?a=32302361
Cranking The Volume On Your Ipod Or Mp3 Player Can Damage Hearing « Online music news and reviews
Cranking The Volume On Your Ipod Or Mp3 Player Can Damage Hearing « Online music news and reviews: "Kids have always loved listening to their favorite music, and the louder the better ? much to their parents? dismay. In the 1980s, the portable tape recorder with headphones ? which came to be known as the ?Walkman? ? enabled teenagers to listen to their music as loud as they wanted, anywhere they wanted, without disturbing anyone around them.
But the more modern rendition of the Walkman ? portable MP3 Players and iPods ? pose a major threat to our children?s hearing health, and to ours.
Read more
http://www.music4yourear.com/articles.asp?a=57224651
Mp3 player-everything you need to know about an Mp3 music « Online music news and reviews
Mp3 player-everything you need to know about an Mp3 music « Online music news and reviews: "The Mp3 player is the combination of various technologies and its components are not only revolutionary but also prove to be a great consumer product. If you wish to store music as well allow the user to hear the songs played and for this the player first pulls the song from its memory, then decompresses the Mp3 encoding, runs the decompressed bytes through a digital to analog converter and amplifies the analog signal allowing the song to be heard.
Read More
http://www.music4yourear.com/articles.asp?a=60123763"
Saturday, February 23, 2008
Friday, February 22, 2008
Tuesday, February 19, 2008
Friday, February 15, 2008
Rap Basement - Fat Joe Discusses Beef With 50 Cent, Thinks Hes The 'Susan Lucci" Of The Grammy Awards, Watch Video
Rap Basement - Fat Joe Discusses Beef With 50 Cent, Thinks Hes The 'Susan Lucci" Of The Grammy Awards, Watch Video: "Fat Joe Discusses Beef With 50 Cent, Thinks Hes The 'Susan Lucci' Of The Grammy Awards, Watch Video
Written by Jason
Friday, 15 February 2008
Recently Fat Joe was on the late night talk show, Chelsa Lately on the E! network. In the interview Fat Joe gets called 'Mexican', and even talks about his beef with 50 Cent and explains why he thinks he is the Susan Lucci of the Grammy Awards. Watch the interview below."
Rap Basement - Jay-Z Talks About How It Feels To Not Be President, Discusses New Ventures
Rap Basement - Jay-Z Talks About How It Feels To Not Be President, Discusses New Ventures: "Jay-Z Talks About How It Feels To Not Be President, Discusses New Ventures
Written by Jason
Wednesday, 13 February 2008
Jay-Z talked to MTV News at this years Grammy Awards about many things including how it feels to have Def Jam artists win now that he is no longer President of the label. Watch what Jay had to say about this below"
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Apple iTunes Pre Order Kanye West New Album Graduation HipHop 2007
Apple iTunes.,Public Enemy ....Album How You Sell Soul…Out.
Twenty years since the release of the debuit album, Public Enemy is at it again. August 2007 marks the release of the ninth album called How You Sell Soul…Out.
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